Slumberland by Paul Beatty

Author:Paul Beatty
Language: eng
Format: epub, mobi
Publisher: Bloomsbury Publishing Plc
Published: 2008-10-17T04:00:00+00:00

The twilight was uniquely uninspiring. The sun looked wobbly and slumped toward the horizon like a carsick child sinking deeper and deeper into the backseat. Its last act of consciousness, this solar hurl of refracted light, the colors of which were so putrid they scattered the birds and the clouds, and left the moon to clean up the mess.

CHAPTER 3

GERMANY CHANGED. After the Wall fell it reminded me of the Reconstruction period of American history, complete with scalawags, carpetbaggers, lynch mobs, and the woefully lynched. The country had every manifestation of the post-1865 Union save Negro senators and decent peanut butter. Turn on the television and there’d be minstrel shows—tuxedoed Schauspieler in blackface acting out Showboat and literally whistling Dixie. There were the requisite whining editorials warning the public that assimilation was a dream, that the inherently lazy and shiftless East Germans would never be productive citizens. There were East Germans passing for West Germans. Hiding their accents and fashion sense behind a faux-Bavarian stoicism and glacier hat, and making sure that whenever someone said the words Helmut Kohl they responded with “that fat bastard.” It wasn’t even unusual to see Confederate flags stickered to car bumpers and flying proudly from car antennas. The stars and bars were a racist’s surrogate for the illegal swastika, though if you confronted somebody about it they’d claim it represented an appreciation of rockabilly music, especially that of Carl Perkins.

My adoptive fatherland was still an introspective country, but it was a new era; instead of gazing at its navel, the country stared at its big, historical, hairy balls. There was a real sense of joy and accomplishment. This time we were going to do things right. I say “we” because for a moment there I was starting to feel German. Though you never hear of a black person “going native” (that shameful fall from grace is reserved for whites), I had gone, if not native, then at least temporarily Teutonic for one special day. If you can find any footage of the inaugural love parade, that’s me in the ten-inch platform sneakers drinking peach schnapps, sporting a blown-out pink afro and only a pair of black leather chaps, showing my glossy black ass and leading my band of wild white aboriginals down the Ku’damm like a sunburned Kurtz in a parallel universe.

Like Conrad’s Belgian Congo, Germany in the early days of reunification was a land where light was dark and dark was darker. In tribute to this confusing state of flux I’d gotten into the habit of opening up my gigs with the Undertones hit “Teenage Kicks.” The band had broken up seemingly at the height of its success, and in the trades I had once read a quote from Feargal Sharkey, the lead singer: “The last couple of years in the Undertones, for all of us, was very difficult. The conversations generally tried to revolve around, Can you turn that up a bit, or Can you turn that down a bit?” That statement summed up exactly how I felt about the world at that time.

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